LimeWire Acquires Fyre Festival

FyreWire // Illustration by Kate Walker

LimeWire — the early-aughts music file-sharing service reborn as a decentralized content-sharing platform — has announced it’s the new owner of the controversial Fyre Festival brand.

Why It Hits: LimeWire isn’t shying away from calling this a meme-purchase, stirring up headlines about the collaboration between two of the music industry’s most controversial brands (or in Fyre Fest’s case, a would-be music brand). But it may be the sheer absurdity of the partnership that gives it a head start in capturing culture’s attention… positive attention, that is.

Behind The Music: LimeWire was revealed as the winner of July’s online auction for Fyre Festival, paying about $245,000 to outbid Ryan Reynolds’ Maximum Effort for the rights.

  • LimeWire said the Fyre acquisition marks “an entirely new chapter — one grounded in technology, transparency, and a sense of humor.”

  • What does that mean exactly? According to LimeWire CEO Julian Zehetmayr, the company won’t be re-launching the ill-fated festival, but instead will be “bringing the brand and the meme back to life. This time with real experiences, and without the cheese sandwiches.”

  • So, yeah, you can expect some ridiculous Fyre experiences that are real — but also poke fun at its history as a total failure (one that landed organizer Billy McFarland in jail for over three years on fraud charges).

The Fake Future: LimeWire COO Marcus Feistl says leveraging the Fyre brand is about showing what happens “when you pair cultural relevance with real execution.” That’s not a crazy idea when marketing firms Maximum Effort and art collective MSCHF (which recently launched its own agency) have cut through the digital noise by turning every piece of content into a stunt. Welcome to the age of the big swing.

Next Up: A Fyre Festival event with real artists onstage and a halfway-decent sandwich to eat? It could happen.

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Today’s email was written by David Vendrell.
Edited by Nick Comney. Polled and Copy-edited by Kait Cunniff.
Published by Darline Salazar.

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